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Aliena wakes up in a river in France with a bag with 2 million euros, a scar across her abdomen and no memory. She seeks refuge in the nearest town but soon discovers that mysterious men are following her. With the help of the French hotelier Pierre she temporarily gets away from the pursuers ... Slowly traces begin to appear about the past.Aliena is still being pursued and she gradually learns that her past life was more complicated than she first thought.
2.2 out of 5 based on 8 reviews
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Omniscore:
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| Certificate |
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| Genre |
Thriller |
| Director |
Christian E. Christiansen |
| Cast |
Flemming Enevold, Carsten Bjørnlund Tuva Novotny |
| Studio |
Artificial Eye |
| Release Date |
February 2012 |
| Running Time |
104 mins |
| |
Aliena wakes up in a river in France with a bag with 2 million euros, a scar across her abdomen and no memory. She seeks refuge in the nearest town but soon discovers that mysterious men are following her. With the help of the French hotelier Pierre she temporarily gets away from the pursuers ... Slowly traces begin to appear about the past.Aliena is still being pursued and she gradually learns that her past life was more complicated than she first thought.
Reviews
Time Out
Anna Smith
“A stylish Danish thriller that’s more than serviceable for fans of the genre, if not up there with recent Scandinavian hits such as ‘The Girl With the Dragon Tattoo’ or TV’s ‘The Killing’.”
14/02/2012
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The Observer
Philip French
“Some agreeable suspense, a great deal of violence, some rather vague leftwing politics and some narrative holes.”
19/02/2012
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Total Film
Tom Dawson
“The sort of thriller that pays closer attention to its heroine’s hair than to her inner turmoil.”
06/02/2012
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The Times
Kevin Maher
“There are guilty pleasures to be enjoyed here, not least the world’s longest mid-strangulation flashback sequence.”
17/02/2012
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The Evening Standard
Charlotte O'Sullivan
“File under BOR:ING.”
17/02/2012
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The Guardian
Peter Bradshaw
“A lot of the film's action is presented in a long flashback as it suddenly comes back to her what on earth has been going on, and this single, undigested chunk of remembered action robs us of the pleasure of uncovering the truth bit by bit.”
16/02/2012
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The Independent
Anthony Quinn
“Christiansen treats the obstacles of credibility like a getaway driver scattering a police roadblock.”
17/02/2012
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The Sunday Times
Edward Porter
“The film’s dull progress erodes your curiosity; and when the big revelation finally comes, it’s a long, convoluted flashback of ever-increasing silliness.”
19/02/2012
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